FEATURE on ‘TREEFXXXERS’ | Ecohustler 12 Nov 2018
‘A Dramaturgy of Extinction’
Critical Stages Issue No. 26 Dec, 2022
‘Infiltration: Doppelgangster’s Oxygen Support’
Ephemera Journal: Theory and Politics in Organisation
‘An Unfinished lexicon for autonomous publishing’ Dec, 2021
INTERVIEW on ‘Everybody Loses’ | Audrey Journal 19 September 2018
Doppelgangster & ‘Everybody Loses’ by Huw Bates, The EGO (November 2017) [Interview]
INTERVIEW on ‘Baby’ | New Current 18 Jan 2016
COLD WAR (2020)
★★★★★ | Eventalaide 21 Feb 2020
★ | Eventalaide II 3 Mar 2020
Finding Adelaide 23 Feb 2020
Tulpa Magazine 6 Mar 2020
Collage Adelaide 29 Feb 2020
Adelaide Adventurer 12 Mar 2020
Kryztoff 7 Mar 2020
Theatre People 26 Feb 2020
3D Radio 25 Feb 2020
The Advertiser 29 Feb 2020
CHØKE ME (2019)
Everybody Loses
Melbourne Critique September 2018
Placing the Anthropocene 30 December 2017
A Modern Antiquarian 5 December 2017
Ceredigion Herald 1 December 2017
Puntila/Matti
Sydney Arts Guide 13 October 2017
What’s On Sydney 06 October 2017
mini review | Audrey Journal 06 October 2017
a bad review from The Buzz04 October 2017
a bad review from AltMedia 03 October 2017
‘Doppelgangster and the Marxist Dialectic’ | Lisa Thatcher 02 October 2017
(a bad) REVIEW from Stage Whispers 01 October 2017
Jason Blake 30 September 2017
Weekend Notes 30 September 2017
Daily Review 29 September 2017
Suzy Goes See 28 September 2017
The Eternity of the World
ArtsHub 04 August 2017
The Plus Ones (Melbourne) 03 August 2017
The Alternative Gig Guide 01 August 2017
The Plus Ones (Sydney) 27 July 2017
Sydney Arts Guide 22 July 2017
Doppelgangster’s TITANIC
BABY
Audiences 2016
the Audience of ‘Baby’ | Doppelgangster 04 Feb 2016
the Audience of ‘Baby’ | Doppelgangster 30 Jan 2016
the Audience of ‘Baby’ | Doppelgangster 27 Jan 2016